During the mid-’90s, Rick Trevino emerged as one of the first popular Hispanic singers in country music since the mid-’70s, when Freddy Fender and Johnny Rodriguez were having hits. Beginning with “She Can’t Say I Didn’t Cry” in 1994, Trevino racked up several hits over the next few years with his Garth Brooks-inspired blend of new country and album rock.

Trevino was born into a musical family — his father was a member of a local Tejano group. Both of his parents fostered his musical interests, and as a child, he listened to a variety of music, including Tejano, country, classical pianist Van Cliburn, and mainstream pop/rockers like Elton John and Billy Joel. Soon, he was taking classical piano lessons and studying the clarinet. After graduating from high school, he was offered a baseball scholarship to Memphis State University, but he declined the offer to study music.

Dos Mundos
In 1993, he released his first album, the Spanish-language Dos Mundos. It was accompanied by a single release of “Just Enough Rope,” which was released in English, Spanish, and a bilingual version; it was the first traditional country single to be released in both Spanish and English. The English version was a moderate hit, reaching number 44. In 1994, Trevino released an eponymous album, which featured English versions of most of the songs from Dos Mundos, plus a few new cuts. Rick Trevino became a hit, producing the Top 40 “Honky Tonk Crowd” and the Top Ten singles “She Can’t Say I Didn’t Cry” and “Doctor Time.”

Looking for the Light
Trevino’s second album, Looking for the Light, was released in 1995; it was accompanied by a Spanish version. Like its predecessor, Looking for the Light was a hit, albeit not as big as the debut — it only spawned one Top 40 hit, the number six “Bobbie Ann Mason.” Learning as You Go, Trevino’s third album, was released in 1996; Changing in Your Eyes followed two years later, and Mi Son was released in spring 2001.

Artist Biography by Stephen Thomas Erlewine

Larry Joe Taylor started out in the early 70’s no different than many of his fans today: A full-time employee with a deep love of music, armed with only an old guitar and a dream. Influenced by the songs of Guy Clark, Jerry Jeff Walker, The Doors and Bob Dylan, Taylor writes songs that form his own genre he likes to call “Coastal & Western”. The varied moods of Taylor’s songs keep the crowds on their toes while he shifts from his loud-and-proud dancing tunes to soulful ballads.

Some 40 years later, Taylor finds himself right in the middle of the biggest dream of his life; to not only be a respected songwriter in his own right, but also having the opportunity to present songwriters and music he respects on one of the biggest stages in the U.S…the Larry Joe Taylor Texas Music Festival, which is preparing for its 31st year anniversary, drawing crowds of 65,000 plus. Jerry Jeff Walker stated, “Larry Joe Taylor is the Jimmy Buffett of Texas. He’s learned to survive by grinding it out, doing whatever it takes to keep himself viable through cruises, festivals like the Texas Music Festival, connecting with his fans and working his ass off.” Josh Abbott, friend and fellow songwriter/performer states “[Taylor] is a believer in not only Texas country, but helping out the younger guys. He’s comfortable in his style of music and it sure is fun to sing along with his songs!”

Aside from festival building, Larry Joe Taylor’s latest project, Sailing on Sunday, (released in the spring of 2012) is his 6th album to be released on Taylor’s own Boatfolk Record label. Sailing on Sunday is a collection of four original songs, five songs co-written with close friends Clayton Landua, Keith Sykes, Chuck Pyle, Rachel Stacy, and Dave Perez, and two songs written by Richard Leigh and Randy Pease, respectively. The record also features guest vocals by Dave Perez and Rachel Stacy. “I’ve been very fortunate to have worked with many great songwriters. I’m proud to be part of all of Larry Joe Taylor’s records. His songs have always rung true to me. The collection of songs in his new record, Sailing on Sunday, are some of his best. They create a vivid picture and mood and Larry’s vocals are totally believable. Yes, he’s as real as it gets,” stated Lloyd Maines, producer of Sailing on Sunday and long time friend.

Not only does Taylor write most of the songs for his own albums, he’s also proud of the many other artists who have cut his tunes, including Jerry Jeff Walker and the Lost Gonzo Band, Keith Sykes, Richard Leigh, Gary P. Nunn, Michael Hearne, Joe Pat Hennen, Mike Graham, Doc Wesson, Tommy Alverson and Brian Burns. “Of all the songwriters I’ve had the privilege to work with, Larry Joe Taylor has made the most of natural talent. Not only is he a great songwriter, his skills for production, promotion and leadership are outstanding! I’m proud of his accomplishments and happy I had the opportunity to help him get started in what he has developed into a very successful career,” stated Texas music legend Gary P. Nunn.

“Larry Joe Taylor is one of the grandest success stories in modern Texas music,” writes Brad Behler (Galleywinter). “Taylor has transitioned from a regular 9-to-5er to a full-time good timer. He writes, performs, produces, and promotes his own special brand of music. LJT, as he is also known, donates his time and talents to numerous causes and events. His support and guidance has been instrumental in helping to launch young careers.” Without a doubt, the opinions that hold the most weight for Taylor are those of his fans. Blogger Mike Parrish perhaps most accurately described what fans love about Taylor and his songs, “The music of Larry Joe Taylor is flavored with an engaging coastal blending of Texas country music and salty melodies reminiscent of the slow-paced, relaxed experience of island-hopping through a long carefree tropical vacation. The lyrics fall like summer-morning dew drops from the palms of Port Bolivar while Captain LJT sets a course that will take you far away from the hustle and bustle of the modern world and into the realm of a nonchalant and unrestrained existence when you make landfall on his ‘Third Coast.’ When you hear original homespun lyrics like, ‘I said if I ain’t sinkin’ well I must be swimmin’ – If I ain’t dead, I must be livin’ – Livin’ is the thing, that scares me the most,’ you automatically realize that you’re listening to the words of an artist who isn’t afraid to bear his soul as long as the music is honest and, with Larry Joe Taylor, that’s exactly what you’ll hear and that’s exactly what you’ll get.”

So what does LJT do when not recording, performing or hosting the Texas Regional Radio Music Awards “Event of the Year”? Each July, you can find Taylor living on “Island Time”, a 10-day trip to the small Caribbean island of Isla Mujeres, Mexico. August finds Taylor in Red River, New Mexico for his “Hot Chili Days, Cool Mountain Nights” festival. In September, he’s back at Melody Mountain Ranch for his annual “Rhymes & Vines” Music Festival and Homebrew and Winemaker Competition. In January, Taylor can be found “Coastin’ & Cruisin’” on his songwriter cruise, the largest songwriter cruise sailing out of Texas for the past 20 years. Music and event hosting aside, Taylor enjoys spending time at his ranch raising Black Angus and Brahman cattle, following PRCA Rodeo and PBR Bull Riding, and looks forward to the time when he can spend at least a year sailing the Caribbean; and the rest, as they say, is history…